The Stanislavski System and Method Acting

January 21, 2010 | Irene G. | Comments (0)

It's ironic how Constantin Stanislavski, likely the most influential 20th century acting teacher, was forced to hide his chosen profession from his wealthy family due to the shame associated with actors and the theatre in 19th century Tsarist Russia.  

Stanislavski (1833-1938) lived during an exceptionally turbulent period of  Russian history. It was also a time of great technological change including the introduction of electricity and both silent and talking films, all of which impacted acting styles.  

click here for an introduction to Stanislavski

As both a director and actor at the Moscow Art Theatre he created his "System" that later developed into Method Acting.  He specialized in productions of Chekov, Ibsen and later directed other Russian plays.

click here for copy of this book at the Toronto Refererce Library

Stanislavski's wrote an autobiography, My Life in Art.

click here to reserve copies of My Life in Art  

He also wrote three books on his teaching methods: 

  click here to reserve a copy of An actor prepares   click here to reserve copies of Building a character   click here to reserve a copy of Creating a role  

Using the stanislavksi system   Stanislavski and the Actor - benedetti   Stanislavski and training of actors

Stanislavski directly influenced Method Acting, first popularized by the Group Theatre in New York City in the 1930s.  It was under the Actors' Studio, with Elia Kazan and then Lee Strasberg, that Stanislavski's System became "The Method".

Method Acting contributed to the great performances of Marlon Brando, the works of director Elia Kazan, and stage and film productions of the plays of Tennesse Williams.

Actors studio   Training of the American ActorStrasberg by Lorrie hall
 

 

Many other teachers including Uta Hagen and Stella Adler were also greatly influenced by Stanislavski and modified his teachings to create their own systems and methods.

 

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